![]() You even hear Siguiriyas played fast on solo guitar, which is ridiculous, if not blasphemous. As I said, with solo guitar Soleares and most palos simply cannot express emotion at a fast tempo. I'm sure the guitarist on the Nina de los Peines clip - who sounds like it might be Manolo Moreno - would have played his falsetas slower had it not been a recording. #TUX GUITAR BREAK FREE#Whereas in solo guitar emotion has to be expressed by the guitarist, who is free in a non-recording context to play as slowly as he wants to. The great ones - Nina de los Peines certainly fits - could do that. In the cante, as opposed to solo guitar - which is what I was referring to in the quiz - emotion can be expressed by the singer even at a faster tempo than he or she would prefer. They were all aware of the time limit and were always trying to get it all in in time, hence the faster tempos.Īnother point. As you point out – “This tempo isn’t so slow, and the guitarist rushes forth during the falseta then pulls tempo back when she starts singing again.” Exactly. But generally the singer would not want to sing at that tempo, so the guitarist would slow down when the singer came in. At a slow tempo by the time the guitarist played an intro and the singer sang the temple half the allotted time would be gone, so the guitarist would play faster. They had a time limit of three minutes max. Second, with respect to the faster tempos in those old recordings that you cite – all of them were recorded on the old 78 RPMs of the day. First, one reason for the faster tempo in the cante is that the tempo can’t be too slow or else the cante will drag, and the cantaor will look daggers at the guitarist if he doesn’t actually throw a few. But there are two important points to be understood. I agree with what you say in general, that the tempo can depend on whether it’s for cante, baile, or solo guitar. ![]()
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